The Ethics of…Game of Thrones! May 29, 2012Posted by Nina Rosenstand in Culture, Ethics, Film, Nina Rosenstand's Posts.
Tags: cynicism, Game of Thrones, heroism, narrative ethics
Time for some early summer fun; lucky those (like me), for whom fun and work often end up merging, such as in narrative ethics. And I’ve found the HBO series Game of Thrones to be seriously fun, once you get into the fictional, pseudo-historical universe. (Haven’t read any of the books yet—I understand the TV series is deviating from the original in increasingly dramatic ways.) If anybody wants to catch up on the series before the season finale on Sunday, HBO is running the entire season this week. You can have an early-summer GoT marathon—and afterwards you can acquire a copy of Game of Thrones and Philosophy from Blackwell, which I have just ordered as a light summer read! If you are not worried about reading a spoiler article, take a look at Time’s review of episode 9, “Game of Thrones Watch: Smoke on the Water, Fire in the Sky” (those of you over 50 can start humming now…). It contains good character analyses, and a particularly insightful view of the character who emerges as the real focal point of the story, Tyrion Lannister:
I was on the verge of calling Tyrion’s behavior “heroic,” but that’s not really the term. Notably, we see that this is not Tyrion rising to his true calling or discovering that it is a far, far greater thing her does, &c., &c. It’s a practical decision, in that if the defenders of the city are not inspired, he will die. He plays the part (and Peter Dinklage does) masterfully, but he rouses his men with a purely practical argument too: “Don’t fight for your king, and don’t fight for his kingdoms. Don’t fight for honor, don’t fight for for glory. Don’t fight for riches, because you won’t get any.”
And the reviewer could/should have added what comes next—what Tyrion tells his army: “Fight for your homes.” Because Tyrion may be pragmatic, but he is not altogether a cynic.
All in all, it is a story about moral decisions, big and small—split-second decisions that come from the heart, or weighed by a calculating mind, and which all have consequences. Some decisions are made from a utilitarian, some from a deontological stance. Lots of ethical egoism in there, too, and just knee-jerk egoism. And some characters are pure at heart, and we see their ethic of care, their virtue ethics unfold, such as Sansa who from being a victim all of a sudden finds strength in helping others.
And so forth! If you’re looking for a joyride this week, leading up to the season finale on Sunday (and have cable), watch the 9 shows on HBO and look for all the moral, immoral and amoral viewpoints swirling around. A well-told tale, well acted, just right for some summer speculations about fictional problems of fictional characters.
Enjoy your summer!